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Disponible en commande et généralement livrable en 3 à 6 jours
SKU
CAD C9S

CAD AUDIO C9 microphone à condensateur cardioïde (paire)

​Operating Principle: Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz -13KHz
Sensitivity: (2.2mV) @ 1 Pa
Designed for drum overheads, high hat, ride cymbal and stringed instruments, the C9 cardioid condenser microphone captures the subtle nuance of acoustic instruments and the presence and attack of cymbals. Available in Stage Series Drum Packs or separately (C9S pair) Packaged in a small, rugged, all-metal body, the C9 cardioid condenser microphone is designed primarily for overhead drum miking. The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Transformerless line-driver circuitry improves transient agility while maintaining phase alignment for clear detail. The integral polymer isolation mechanically decouples the capsule from the body minimizing acoustical conduction from the floor through the mic stand. Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments. Shock-isolating swivel mount is included. P12 (12V), P24 (24V), or P48 (48V) phantom power is required.
180,99 $
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Designed for drum overheads, high hat, ride cymbal and stringed instruments, the C9 cardioid condenser microphone captures the subtle nuance of acoustic instruments and the presence and attack of cymbals. Available in Stage Series Drum Packs or separately (C9S pair) Packaged in a small, rugged, all-metal body, the C9 cardioid condenser microphone is designed primarily for overhead drum miking. The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Transformerless line-driver circuitry improves transient agility while maintaining phase alignment for clear detail. The integral polymer isolation mechanically decouples the capsule from the body minimizing acoustical conduction from the floor through the mic stand. Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments. Shock-isolating swivel mount is included. P12 (12V), P24 (24V), or P48 (48V) phantom power is required.
Plus d’information
Fabricant
cad
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​Operating Principle: Condenser
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Polar Pattern: Cardioid
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Frequency Response: 40Hz -13KHz
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Sensitivity: (2.2mV) @ 1 Pa
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Designed for drum overheads, high hat, ride cymbal and stringed instruments, the C9 cardioid condenser microphone captures the subtle nuance of acoustic instruments and the presence and attack of cymbals. Available in Stage Series Drum Packs or separately (C9S pair) Packaged in a small, rugged, all-metal body, the C9 cardioid condenser microphone is designed primarily for overhead drum miking. The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Transformerless line-driver circuitry improves transient agility while maintaining phase alignment for clear detail. The integral polymer isolation mechanically decouples the capsule from the body minimizing acoustical conduction from the floor through the mic stand. Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments. Shock-isolating swivel mount is included. P12 (12V), P24 (24V), or P48 (48V) phantom power is required.